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He was briefly an associate of Ezra Pound and the poetry clubs that led to the formation of Imagism in the early years of the twentieth century, though he’s best remembered for his novels: The Good Soldier (1915; actually, nothing to do with soldiers) and the Parade’s End quartet (1924-28; a lot to do with soldiers).

One of the most intriguing, versatile, and often still misunderstood of the great Modernist writers. At the turn of the century he, befriended Henry James and Stephen Crane, and began a ten-year collaboration with Joseph Conrad.

In the years before the First World War he moved to London, where he founded the English Review, bringing together many of the best established writers of the day – James, Thomas Hardy, Conrad, H. G. Wells, and Arnold Bennett – with his new discoveries, many of whom would help redefine modern literature, such as Ezra Pound, Wyndham Lewis, and D. H. Lawrence.


In 1923 he was to be once again at the centre of another literary revolution, and to act as uncle to the next generation of the Avant-Garde. Settling into the artist community in Paris with Pound's help, he founded the transatlantic review, and published James Joyce, Gertrude Stein, and the young Ernest Hemingway, whom Ford took on as a sub-editor.

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