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In the 1960s, Kirby and writer-editor Stan Lee co-created many of the Marvels major characters, including the Fantastic Four, the X-Men, and the Hulk. The Lee-Kirby titles garnered high sales and critical acclaim, but in 1970, feeling he had been treated unfairly, Kirby left the company for rival DC.

At DC, Kirby created his Fourth World saga, which spanned several comics titles. Kirby returned to Marvel briefly in the mid-to-late 1970s, then ventured into television animation and independent comics.

He created a new grammar of storytelling and a cinematic style of motion. Once-wooden characters cascaded from one frame to another—or even from page to page—threatening to fall right out of the book into the reader's lap. …. Even at rest, a Kirby character pulsed with tension and energy in a way that makes movie versions of the same characters seem static by comparison. [ NYT Obit.]


Did the man whose comics predicted sentient, feminine-gendered, hand-held computers called “Motherboxes” (“Hello, Siri!”) also predict the orange despot Donald Trump?

In Glorious Godfrey, DC Comics’ Jack Kirby created a fascist demagogue that eerily anticipated Donald Trump, right down to the gravity-defying orange hairdo.

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