I first encountered Hesse in 1969 as a 10th grader in my German 2 Language class. For reasons I still choose to keep secret, I made a deal with Frau Bruster [aka the teacher] that If did not have to ever participate in class I promised not to give her trouble. She recalled German 1 and perfectly understood the proposal but was reluctant to allow me a pass on the thrilling reciting of sentences about Hans and Hilda.

So, we negotiated, I promised to pass all the tests and read in the back of the room. She capitulated when I promised to read German authors.  This led me to Herman Hesse among others.  His Siddhartha becoming a major influence in my life.

Hesse was a German-born Swiss poet, novelist, and painter. His best-known works include Steppenwolf, Siddhartha, and The Glass Bead Game, each of which explores an individual's search for authenticity, self-knowledge and spirituality. In 1946, he received the Nobel Prize in Literature.
In his time, Hesse was a popular and influential author in the German-speaking world; worldwide fame only came later. Hesse's first great novel, Peter Camenzind, was received enthusiastically by young Germans desiring a different and more "natural" way of life at the time of great economic and technological progress in the country.

Demian had a strong and enduring influence on the generation of home-returners from the First World War; similarly, The Glass Bead Game, with its disciplined intellectual world of Castalia and the powers of mediation and humanity, captivated Germans' longing for a new order amid the chaos of a broken nation following the loss in the Second World War.

During the 1950s, Hesse's popularity began to wane, while literature critics and intellectuals turned their attention to other subjects. In 1955, the sales of Hesse's books by his publisher Suhrkamp reached an all-time low. However, after Hesse's death in 1962, posthumously published writings, including letters and previously unknown pieces of prose, contributed to a new level of understanding and appreciation of his works.

By the time of Hesse's death in 1962, his works were still relatively little-read in the United States, despite his status as a Nobel laureate. A memorial published in the New York Times went so far as to claim that Hesse's works were largely "inaccessible" for American readers.

The situation changed in the mid-1960s, when Hesse's works suddenly became bestsellers in the United States. The revival in popularity of Hesse's works has been credited to their association with some of the popular themes of the 1960s counterculture (or hippie) movement.

In particular, the quest-for-enlightenment theme of Siddhartha, Journey to the East, and Narcissus and Goldmund resonated with those espousing counter-cultural ideals. The "magic theatre" sequences in Steppenwolf were interpreted by some as drug-induced psychedelia, although there is no evidence that Hesse ever took psychedelic drugs or recommended their use.


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